|
THROUGHOUT HISTORY, WOMEN'S BODIES HAVE
|
provided
humanity with a wellspring of puzzlement and wonder—their reproductive
powers reliably arouse responses ranging from reverence to fear. In
keeping with the human instinct to understand and conquer nature, for
thousands of years people have endeavored to harness female sexuality.
Early philosophers and doctors zeroed in on the uterus as a nexus for
these unknowable strange and scary
forces in an attempt to control and contain them. The uterus was thought
to be responsible for a considerable host of afflictions that fell under
the heading of "hysteria."
|
|
Hysteria as
an illness dates back to antiquity: the word derives from the Greek
"hystera" which means uterus, or more literally, "of the womb." Thus
"hysteria" has always connoted female concerns. (The American Psychiatric
Association retired the term in 1952, later adopting the more
gender-neutral "conversion disorder" instead.) Documented male cases of
hysteria do exist, though they are far and away the exception rather than
the rule. The disease became a sort of catch-all assessment for a variety
of tangible yet unexplained symptoms stemming from no
obviously
discernable cause. Doctors stamped the hysterical label on many conditions
that we now recognize as other things: schizophrenia, anxiety and panic
attacks, epilepsy, etc. But they also applied it to
a vast cornucopia of
symptoms like nervousness, boldness, fainting, excessive energy, apathy in
the bedroom, an overly hearty sexual appetite—basically anything not
readily identifiable as something else.
|
|
The most
frequently prescribed and preferred treatment for hysteria was marriage,
and for a woman to be "strongly encountered" by her husband.
Pre-20th-century logic determined that if the symptoms emanated from the
womb, a sexual release
would purge them. However, with the female body
being so enigmatic, not many doctors recognized the fact that traditional
intercourse alone does not provide said release for a significant number
of women. If marriage proved unsuccessful, which it often did due to many
women's uncooperative physiology (today, figures are quoted that anywhere
from 50-70% of all women do not achieve orgasm without some form of
clitoral stimulation), those women were considered deficient or abnormal
and in need of further remedy.
|
|
The
Victorian era in particular embraced the diagnosis of hysteria with
perhaps a tad too much gusto. Conservative sexual attitudes at the time
contributed to a rampant proclivity for purging any behavior or
characteristic that did not conform to societal norms. An ideal woman
radiated chastity and modesty; feelings of lust or desire were considered
unseemly or abhorrent, and often indicative of an underlying problem
requiring fixing. And yet, contradictorily, though a passionless woman was
thought a pure woman, she was also sometimes proclaimed to need medical
treatment, particularly if she objected to sex. The message to women was
confusing: be chaste, but want sex a little bit (and of course only with
your husband); don't show enthusiasm, but don't be lethargic either.
|
|
It
was
commonly believed back then that women had little or no sexual desire.
From the female perspective, sex was to be endured. Victorian ideas about
the purpose of intercourse indicate that most women thought sex existed
mainly for reproductive reasons, and possibly for male pleasure, but very
rarely did people acknowledge that sex might also provide pleasure for the
woman. Dr. Clelia Mosher's famous study of 45 Victorian wives and their
sex lives confirms that a large number of women knew
next to nothing about
sex until marriage. Some refer to having read parts of a female-penned
populist guide to gynecology and midwifery in order to glean something
ahead of time, but most went in all but blind. Without knowing much about
what to expect, or what was expected of them, sex may have been
a
terrifying prospect for many women. Oftentimes, things would not go
smoothly, and a couple would seek a doctor's advice, where a pronouncement
of hysteria was likely.
|
|
If marriage
failed to alleviate hysterical symptoms, doctors usually then prescribed
"pelvic massage" in order to induce a "paroxysm," which literally means a
sudden fit or convulsion, but we know now that in this context it was
simply another name for an orgasm. It is interesting to note that while
the favored remedy was a vigorous bedroom encounter with one's husband,
doctors were yet able to achieve clinical distance with the pelvic massage
they administered in their offices, maintaining that the "hysterical
paroxysms" they induced were purely
medicinal and contained nothing of the sexual about them.
|
|
Similar
logic applied to the intense fear of masturbation, or "onanism," as it was
referred to at the time. If a paroxysm occurred in a doctor's office or
the marriage bed this was seen as a positive result, but if achieved by
the woman herself (or a man, for that matter) in privacy, it became
unacceptable and depraved. It was believed with absolute certainty that
these two situations resulted in completely different effects, despite
sharing the same outcome. Rachel P. Maines suggests a possible cause of
this striking ability to compartmentalize in the preface to her book, The
Technology of Orgasm: "Doctors who failed to recognize the orgasm in their
patients must never have seen them in their wives:'
|
|
Physicians
had been prescribing pelvic massage in various forms since ancient Greek
times, and possibly earlier, as a cure for hysteria. The simplest method
was also the most labor-intensive: the manual treatment. Using one's
fingers to elicit a paroxysm could take an hour or more and thus prove
quite tedious and tiring. As a result, doctors often handed the task off
to a midwife. They also searched for ways to make the process easier.
Hydrotherapy was a popular option: they experimented with showers, water
pressure, and hot springs, resulting in spa towns like Saratoga Springs or
Ballston Spa in New York boasting large populations of doctors. Other
prescriptions included horseback and bicycle riding, travel in a carriage,
or later a train, and even sewing, as the motion from early, pre-electric
sewing machines achieved vibratory effect.
|
|
|
|
|
|
|
|
|
|
|
|
|
Electric
vibrators first appeared in doctors' offices around 1878, not long after
the introduction of electric light. Once public awareness of these new
devices grew, so did requests for portable vibrators appropriate for home
use. Maines notes that, "The first home appliance to be electrified was
the sewing machine in 1889, followed in the next ten years by the fan, the
teakettle, the toaster and the vibrator." The invention was heartily
welcomed and hailed as a revelatory and ingenious device. Considered a
medical tool, people viewed the vibrator the same way they viewed a
stethoscope or a thermometer.
ironic
resonances, but the audience has to work for them. The play coaxes the
spectators to swim in the magical, sometimes menacing flow of the
unconscious. Ruhl prefers the revelations of the surreal moment to the
narrated psychological one. In the prologue to Passion Play—a triptych
that uses for its dissection of faith, politics, and political icons the
organizing conceit of the staging of Christ's Passion in separate acts by
the Elizabethans, Nazi-era Germans, and contemporary Americans— Ruhl
announced her daring, playfully cajoling the public to focus on the moment
and the mythic:
We ask you,
dear audience, To use your eyes, ears, your most inward sight.
For here is
day (A painted sun is raised)
And here is
night (A painted moon is raised)
And now, the
play.
As a
storyteller, Ruhl marches to Ovid's drum rather than Aristotle's.
"Aristotle has held sway for many centuries, but I feel our culture is
hungry for Ovid's way of telling stories," she said, describing Ovid's
narrative strategy as "one thing transforming into another." She went on,
"His is not the neat Aristotelian arc but, instead, small transformations
that are delightful and tragic:' And she added, "The Aristotelian model—a
person wants something, comes close to getting it but is smashed down,
then finally gets it, or not, then learns something from the experience-1
don't find helpful. It's a strange way to look at experience.
"I like
plays that have revelations in the moment, where emotions transform almost
inexplicably," Ruhl said. "The acting style isn't explicated, either. It's
not psychological:' In The Clean House, for instance, one stage direction
reads, "Lane cries. She laughs. She cries. She laughs. And this goes on
for some time." To Ruhl, this kind of emotionally labile performance is a
"virtuosic" exhibition of behavior. "It feels true to me," she said.
"Children are certainly that way. I'm interested in these kinds of state
changes. 'I was happy, now I'm sad: "She continued, "If you distill
people's subjectivity and how they view the world emotionally, you don't
get realism." The irrationality of emotion is one of the themes to which
Ruhl's plays continually return. "I don't want to smooth out the emotions
to the point where you could interpret them totally rationally, so that
they have a clear reference point to the past:' she said. "Psychological
realism makes emotions so rational, so explained, that they don't feel
like emotions to me." 0
|
.....
|
wellspring of
puzzlement
|
rejtlyéjek forrása |
|
arouse responses |
válaszokat váltott ki |
|
endeavored to harness |
megfékezni szándékozták |
|
zeroed in |
v.mire koncentrálni |
|
unknowable strange |
megismerhetetlenül igeden |
|
considerable host of afflictions
|
egy halmas betegség oka |
| |
|
|
connoted |
jelent |
|
far and away the exception |
messze menően kivétel |
|
a sort of catch-all |
mintegy szemétláda |
|
tangible |
tapintható |
|
obviously
discernable |
nyilvánvaló |
|
a vast cornucopia
|
igen bőséges |
| |
|
|
sexual release |
orgazmus |
|
would purge them |
megszabadította |
|
being so enigmatic |
olyan rejtélyes |
| |
|
| |
|
| |
|
|
embraced the diagnosis |
elfogadta a diagnózis |
|
a tad too much gusto. |
kicsit túl lelkes |
|
rampant proclivity for purging |
féktelen hajlam kitiporni |
|
feelings of lust |
kéjelgési vágy |
|
unseemly |
illetlen |
|
abhorrent |
visszataszító |
|
proclaimed to need
|
kifejezetten szüksége van |
| |
|
|
was
commonly believed
|
köztudomásu volt |
|
sex was to be endured |
a sexet el kell tűrni |
|
next to nothing |
semmit sem |
|
all but blind |
teljesen vakon |
|
a
terrifying prospect |
egy félelmetes kilátás |
| |
|
| |
|
|
to
alleviate hysterical symptoms |
a hitőrús tüneteket enyhíteni |
|
paroxysm |
roham |
|
a vigorous bedroom encounter |
egy lelkes hálószobai aktivitás |
| |
|
| |
|
|
for that matter |
ugyanúgy |
|
depraved |
erkölcstelen |
|
ability to compartmentalize |
képes osztályozni |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| ...
...